Khonsu Egyptian God (“passing”), in Egyptian mythology, is the god of the moon, the god of time and its dimensions, the son of Amun and the goddess of the sky Mut. Khonsu was also revered as the god of travel. As the patron saint of medicine, Khonsu approached the god of wisdom Thoth, who was a member of the Theban triad of deities. In the images of Khonsu that have come down to us, we most often see a young man with a sickle and a moon disk on his head, sometimes he appears in the guise of a child god with a finger at his mouth and a “curl of youth” that boys wore on the side of their heads until adulthood. Khonsu was also depicted as a falcon with a moon disk on his head.
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Egyptian main description
Egyptian Symbols Egyptian hieroglyphics are arguably one of the most famous examples of symbolism across history. Created by the ancient Egyptians, this served as their formal writing system. Hieroglyphics can be dated back to the 32nd century BC, and perhaps even earlier. Evidence demonstrates that this writing system continued into the Roman period of the 4th century AD. However, much of the knowledge of hieroglyphics and their meanings were lost after the end of pagan temples in the 5th century. There was no existing knowledge of what these symbols meant, how they were meant to be read and their significance.
Hieroglyphics were decoded in the 1820s with the aid of the Rosetta Stone by Egyptologist Jean-François Champollion. These symbols are not just phonetic sounds or symbols. In fact, they are a combination of different elements. As Jean-François Champollion discovered, hieroglyphics are a “complex system” that encompasses “figurative, symbolic, and phonetic all at once.” For many Egyptians, this form of writing was seen as the “words of God” and thus used by priests.
Generally, hieroglyphics in cursive form were used for religious texts and engraved into wood or written on papyrus. They are written in rows or columns and can be read either left to right or right to left. The direction can be established by seeing which way the human or animal figure faces at the beginning of the line.