Rapa nui man

Description of Rapa nui man

Rapa nui man is the indigenous inhabitant of Easter island (Local Rapa nui). The language is Rapa nui.
Rapa Nui’s occupations are agriculture, fishing, and cattle breeding. Crops: bananas, sweet potatoes, sugar cane. Very little is known about the structure of the ancient Rapa Nui society that existed before the 19th century. In connection with the export of the local population to Peru, where they were used as slaves, epidemics due to diseases brought to the island by Europeans, and the adoption of Christianity, Rapa nui society forgot about the previously existing hierarchical relations, family and tribal ties. The Rapa nui people had many tattoos on their bodies. They also painted the skin with red and white pigments. Rapa nui men wore rather short haircuts, and the hair was gathered from above in a bun.

Style Variations

Bold – Light – Solid – Duotone
Each variation is included in the file package

Easter Island Rapa Nui main description

    Easter Island Rapa Nui Symbols Easter Island Rapa Nui is renowned for its massive stone statues, the moai, constructed on this tiny isolated island lying over 2000 miles from the coast of Chile. The moai constitute part of the short-term but magnificent cultural achievement of Easter Island, which lasted no more than 1400 years before being undermined by environmental degradation and endemic war- fare. Yet the moai were just one element of a remarkable artistic output. History, as much as art, made this island unique. But attempts to unravel that history have produced many interpretations and arguments. The missionary’s anecdotes, the archaeologist’s shovel, the anthropologist’s oral histories and boxes of bones have all revealed something of the island’s story. The motifs of Easter Island symbols are very diverse, ranging from simple cup marks to elaborate bas-relief carvings of subjects including anthropomorphs, ships and the birdman- an image which combines the body of a man with the head and beak of a frigate bird. This typology is a considerable achievement, and its presentation includes an analysis of the distribution of motifs across the island to show significant variability and patterning. It combines a very clear and precise descriptive prose with a splendid series of line drawings, although these pale in comparison with the magnificent color plates. The most important motif is the birdman. This figure pervades the rock art of Easter Island and is the theme for many variations such as a two headed birdman, a birdman with legs splayed and a birdman with human-like feet.