Sobek

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Description of Sobek

Sobek Egyptian God, in Egyptian mythology, is the god of water and the flood of the Nile, whose sacred animal was the crocodile. He was depicted in the form of a crocodile or in the form of a man with the head of a crocodile. It was believed that the crocodile Petsuhos was kept in the lake adjacent to the main sanctuary of Sobek in Fayyum, as a living embodiment of God.
The admirers of Sobek, who were looking for his protection, drank water from the lake and fed the crocodile with delicacies. It is believed that the ancients perceived Sobek as the main deity, giving fertility and abundance, as well as the protector of people and gods.

Style Variations

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Egyptian main description

Egyptian Symbols Egyptian hieroglyphics are arguably one of the most famous examples of symbolism across history. Created by the ancient Egyptians, this served as their formal writing system. Hieroglyphics can be dated back to the 32nd century BC, and perhaps even earlier. Evidence demonstrates that this writing system continued into the Roman period of the 4th century AD. However, much of the knowledge of hieroglyphics and their meanings were lost after the end of pagan temples in the 5th century. There was no existing knowledge of what these symbols meant, how they were meant to be read and their significance. Hieroglyphics were decoded in the 1820s with the aid of the Rosetta Stone by Egyptologist Jean-François Champollion. These symbols are not just phonetic sounds or symbols. In fact, they are a combination of different elements. As Jean-François Champollion discovered, hieroglyphics are a “complex system” that encompasses “figurative, symbolic, and phonetic all at once.” For many Egyptians, this form of writing was seen as the “words of God” and thus used by priests. Generally, hieroglyphics in cursive form were used for religious texts and engraved into wood or written on papyrus. They are written in rows or columns and can be read either left to right or right to left. The direction can be established by seeing which way the human or animal figure faces at the beginning of the line.